Portal publications about the history of stereoscopy, 3D techniques, photography, film, optics, lenticular and modern spatial technologies.
The full-color light-field display described in Nature uses a polarization-switchable metasurface lenticular lens. The demonstration combines 2D and 3D modes, a 100° field of view, and a 1.2...
The Super-Stable 3D system combined a dynamic parallax barrier with face tracking, infrared light, and motion prediction. As a result, viewing the stereoscopic image no longer required the u...
The FinePix REAL 3D W1 captured two images using separate lenses and sensors, then displayed the effect on a glasses-free 3D screen. Its design clearly illustrates the difference between ste...
Introduced in 1947, the Stereo Realist was more than a twin-lens camera. The 5P format, viewers, projectors and slide-mounting tools formed a coherent system for home stereoscopic photograph...
View-Master began as a stereoscopic window onto landscapes and tourist attractions. However, the acquisition of Tru-Vue in 1951 and access to the Disney license changed the reel repertoire,...
